Home / Viral News / 14 Years Of Kal Ho Naa Ho : 14 Dialogues Of Shah Rukh Khan-Preity Zinta’s Film That We Use Even Today

14 Years Of Kal Ho Naa Ho : 14 Dialogues Of Shah Rukh Khan-Preity Zinta’s Film That We Use Even Today

There are some movies which one can by no means become bored with watching. And one such movie is the Shah Rukh KhanPreity ZintaSalman Khan starrer movie, Kal Ho Naa Ho. It seems like simply yesterday when Karan Johar and Niranjan Iyengar penned down the script of the movie— a narrative that made Naina Catherine Kapur (Preity), Aman Mathur (SRK) and Rohit Patel (Saif) discover an necessary place in our hearts, a lot in order that we may by no means actually recover from them. At this time the movie accomplished 14 years, and celebrating this feat, KJo took to Twitter, to specific his emotions about the identical. Emotional with the movie having accomplished 14 years, the filmmaker mentioned that he would at all times affiliate the movie together with his father, Late Yash Johar. He wrote, “”#14YearsOfKalHoNaHo ….a movie that i’ll at all times strongly affiliate with my father….a reminiscence that’s each heartbreaking and but filled with coronary heart….and that title music is my power Mantra for all times….” Properly, the movie holds a really particular place in our hearts as nicely. Every thing from the performing, songs to the dialogues left an eternal impression in our lives. On the event of the movie finishing 14 years, we carry to you 14 dialogues from the movie that we have now by no means been in a position to recover from.

# ‘Aaj … aaj ek hasi aur baant lo … aaj ek dua aur maang lo … aaj ek ansoon aur pee lo … aaj ek zindagi aur jee lo … aaj ek sapna aur dekh lo … aaj … kya pata, kal ho naa ho’

# ‘Laal mere dil ka haal hai … lagta tumpe kamaal hai … yeh tofha nahin sawaal hai … kya Subhash Ghai ki image Taal hai?’

# ‘Tumhare paas joh hai tumhare hisaab se kam hai … lekin kisi doosre ke nazar se dekho … toh tumhare paas bahut kuch hai’

# Cheh Din Ladki In…Sirf Cheh Din…Kyunki Most important Sundays Ko Kaam Nahi Karta

# ‘Pyar ka pehla kadam dosti hai, aur aakhari bhi … bus beech ke kadam reh gaye hain’

# ‘Most important aankhen band karta hoon toh tumhe dekhta hoon … aankhen kholta hoon toh tumhe dekhna chahta hoon … tum paas nahi hoti ho toh tumhe chaaron taraf mehsoos karta hoon … har pal, har ghadi, har waqt’

# Jitna tum ladki ke peeche bhaagoge utna hello woh tumse door bhaagegi … agar tum ladki ke peeche nahi bhaagoge toh woh confuse ho jayegi aur tumhare peeche bhaagegi … yeh pata karne ke liye ki woh confuse kyun hai’

# ‘Socho, socho … aur sochne ke liye predominant tumhe apni saari zindagi deta hoon’

# ‘Naina, Is Dil Ki Mohabbat Mein Bohot Taakat Hai, Lekin Yeh Dil Bohot Kamzor Hai’

# Pyar toh bahut log karte hai … lekin mere jaisa pyar koi nahi kar sakta kyun ki kisi ke paas tum joh nahi ho

# ‘Har pal har ghadi har waqt mere naina mere Naina ko doondhte hain. Ise pyar kaho, paagalpan ya mere dil ki dhadkan. Mere liye ek hello baat hai. Pyaar toh bahut log karte hain, lekin mere jaisa pyar koi nahin kar sakta, kyonki kisi ke paas tum jo nahin ho’

# Rohit to Aman: ‘Tum meri jagah hote to kya karte?’ Aman to Rohit: ‘Kaash. Kaash predominant tumhari jagah hota, Rohit. Kaash.’

#  ‘Hason. Jeeyon. Muskuraon. Kya Pata Kal Ho Na Ho’

# ‘Most important Tumhe Zindagi Bhar Pyaar Karoonga Aur Marte Dum Tak Pyaar Karoonga…Aur Uske Baad Bhi.’

Aren’t these dialogues stunning? Helmed by Nikhil Advani the movie went onto change into a cult film of types. After we watched the movie for the primary time we have been left feeling every kind of feelings, which have been sufficient to make us watch it again and again. Maybe that’s why, with the movie finishing greater than a decade, we nonetheless bear in mind the dialogues verbatim. We truthfully suppose you need to rejoice the day, by downloading the movie and watching it on loop at present. Don’t you suppose? Be happy to tell us which was your favorite scene from the movie and why you find it irresistible a lot within the feedback’ part under.


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